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Prushkov is the first typeface that I made. Its name comes from the town I lived in at the time. The design was inspired by both geometric typefaces like Futura, and didone fonts like Bodoni. Its aim (perhaps quite bold) is to blend high contrast with mathematical excellence.
Prushkov will work well as a display font, both in uppercase and lowercase. It has a wide array of stylistic alternates for all of the capitals and some lowercase glyphs too.
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French Typewriter is a slab serif typeface created in 2019 by Jean-Renaud Cuaz. It takes roots in the typewriting font styles with a French flair.
In the history of this font style, early typewriters were initially thought to be replacements for printing and so featured proportional fonts, before being replaced by monospaced typefaces. French Typewriter was created with proportional design, departing from the constraint of identical width and space.
Designed for vintage and modern use with a script influenced italic, French Typewriter provides a large range of weights from Extra Light to Black with matching italics offering a large palette of styles for both vintage and modern design.
A series of swash capitales has been created for all 6 italic weights along with ligatures and alternative a, g, y signs to provide opportunities for attractive text design. Fine tuned kerning has been implemented to make this slab serif font family greatly legible in small size. Condensed styles will be available in 2019.
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Cavalier is a typeface published by SoftMaker.
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Hand crafted in Amsterdam amongst the winter canals, Maniac Display represents the best of modern serif aesthetic with a big feeling of movement. Sharp, full and quirky, it’s everything you want out of a display font. It looks amazing at large sizes and, also, small sizes.
Maniac has 36 punctuation marks, 57 uppercase letters, 60 lowercase letters, 17 symbols and a full number set. It supports 17 languages; Basque, Catalan, Danish, Dutch, English, Estonian, Finnish, French, Frisian, Galician, German, Irish, Italian, Norwegian, Portuguese, Spanish and Swedish.
The difference between each weight is intentionally more subtle, for maximum impact at larger sizes. Maniac is best displayed with large text and is suitable for branding, magazines, products and anything else you can imagine. Maniac weights are sold separately and together.
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Namyv is first font I did... and for now it’s improved! I combined all the best of Namyv font. It’s unique and interesting.
A great choice for website and app designs.
I'm using Namyv Bold for posters and other print designs. Its very strong!
And you can combine Namyv font with any Sans Serif font. They will look fantastic.
Cyrillic characters included!
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Dehjuti /de.'hju:.ti:/, predominantly based off Dwiggin’s Electra, with shades of Palatino, is a modern and stately slab serif. Like its inspirer, it has broad counters and spacing, which temper it and give it warmth, making it comfortable and well-suited for longer texts. It is balanced in all aspects, from its punctuation to its reference marks and symbols. Its design takes into consideration all extra characters for languages that few fonts support, such as African and First Nation. These extra characters, such as Edh, Esh, Gamma, Ezh, Yogh, the pharyngeal fricatives, the click consonants, which have added capital versions, the glottal stops, et cetera, actually look like they belong, as opposed to being afterthoughts. The italic incorporates a touch of Arrighi. It includes all transcription systems relevant to the Latin, Cyrillic, and Greek alphabets, as well as standard Coptic, plus extra characters for Teuthonista and First Nation. It also includes, to list a few, Egyptian-styled pictographs (where applicable), APL, virtually all mathematical symbols and arrows, and a ton of extra characters in the Private Use Area for African, First Nation, and lesser known languages, to be used with programs lacking open type technology. Note: Dehjuti has three variants: Regular Cyrillic, Bulgarian (B) Cyrillic, and Macedonian/Serbian (MS) Cyrillic.
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Rutherford is clear, robust and authoritative, and reads well at small text sizes while also having the required heft for larger headlines. A wide range of weights makes it a versatile choice for magazines, branding, brochures and advertising.
A slightly condensed obround serif with squared stroke terminals. The t, j and f curve around to harmonize with the terminals on the a and g, as does the tail of the Q. The italic incorporates cursive forms on the ends of the lower right and upper left strokes, and uses a single-story a.
Includes full European Latin support and alternate designs for the Q and g in all weights.
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Nacho, is a font inspired by the Mexican culture as the party of the dead and customs, created From the Thin to the Densa, it also contains a dingbat set to make the text more dynamic.
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Fortezza is a family of fonts inspired by the great masters who have created the Modern Roman style: Firmin Didot (1764 -1836) and Giambattista Bodoni (1740 -1813)
Both typefaces can be similar, but a trained and close vision, show clear differences in the final result, like its weight and the degree of transition of the strokes. The type of Didot suggests greater warmth and elegance, they are characterized by extreme contrast in thick strokes and thin strokes, by the use of serifs very thin and by the vertical stress of the letters. while the Bodoni type conveys a greater robustness and hardness.
Fortezza brings together the elegance and spirit of both types, but proposes a contemporary vision, establishing a distance with certain features typical of the baroque that was manifested at that time.
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Muirne, a cheerful semi-serif inspired by a Celtic calligraphy and figure. Font family contains from Light to Black weights and suitable Italic. With a dozen of alternates to enhance your typesetting with a Celtic touch.