Kayla McEncroe

Red Rock is a modern and tough-looking font with a strong character. Use it to make any message stand out on all of your design project, posters, business card, t-shirt, packaging, product, etc.

Check out our font collection for more great and artistic fonts. Pick your most favorite font and use it as you like to reach your goals.

To access the alternate glyphs, you need a program that supports openType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and CorelDraw.

More information about how to access alternate glyphs, check out this link: http://goo.gl/ZT7PqK

Mixta is a contemporary sans-serif typeface with characteristic and defined features. This font was inspired by the idea of mixing different types of terminals in order to give the font a singular appearance. Its design is composed of diverse styles such as Didone and contemporary faces.

Create unique designs by combining any of the upright weights with matching italics. Mixta includes Cyrillic support, small caps, different types of figures and a wide variety of alternates.

Mixta comes with a set of 1,200 characters that support over 200 Latin-based languages. This font was specially designed for branding, advertising, editorial design, and use on Tv and social media.

Say hello to the new workhorse for packaging and advertising design! Chonky — playful version of chunky — is a bold script font based on the former English calligraphy but with touches of the vitality that the commercial lettering of 1950s had, and it is mostly inspired in the work of the master Doyald Young and his lessons. Following the advice where he explains that boldness requires simple forms, this modern typeface wasn’t designed to imitate calligraphy but it was typographically thought, being as minimal as a script could be. The eye was put on legibility as well as on spacing and connections, which were specially cared, as it is usual in all Typesenses’ scripts. The upright axis makes the curves slower while the rounded terminals give a warm look. The ascenders, descenders and capitals are the shorter they could be, mostly in the Regular style. The Poster font, has larger ones in order to achieve more graceful forms. Both options include stylistic sets and ligatures to embellish the words. Just keep the Standard Ligatures and Contextual Alternates features always active and see how the typeface writes perfectly while having fun with OpenType alternatives (*). Additionally, Chonky has extensive Western, Central and Eastern European language support. 

Due to its classical base mixed with modern touches, this is a typeface that will live for decades instead of fading away with fashion.

(*) Take a look at the User Guide to see all the features available.

Ruberoid is a squarish geometric sans-serif family reminiscent of Italian designs of 1950s and 1960s, but featuring considerably rounder shapes to give it a more contemporary feel.

The typeface comes in 9 weights with companion oblique styles and contains support for Latin, Greek, and Cyrillic scripts.

Geraldton is a warm and friendly geometric sans-serif typeface in 8 weights with matching italics. Its low x-height and sharp angles are inspired by geometric types of 1920s and 1930s completed with a slight modern humanist touch.

It features support for all European Latin-based languages as well as Cyrillic script. Apart from being equipped with numerous OpenType features, it also contains dozens of computer-related dingbats.

Callephane is our newest font. Its retro style is inspired by a unique design in the 60s.

This fonts is perfect for any project, posters, clothing, labels, logos, badges, and many more, that would benefit from a retro look.

Callephane has 3 styles: Light, Regular and Rough.

The Macksen is a new, bold script font which has two styles: Clean and Textured. With those kind of styles, The Macksen will give your designs a vintage and classic look.

The Macksen is great for logotype, branding design, logo design, digital lettering arts, t-shirts/apparel, posters, magazines, signs, advertising design, and any vintage design needs.

Kandij is a Dutch word and it means ‘Rock Sugar’. We Dutch use it in a lot of products, from ‘ontbijtkoek’ (a rye based spiced cake we sometimes eat for breakfast) to Fryske Sûkerbôle, A Frisian sweet bread.

Kandij is a fat and happy font. I’d probably use it for any book or product aimed at children, as it has a certain lumpy cuteness.

Comes with diacritics and swashes for the upper case letters.

Federasyon was designed on the principles simplicity, legibility and functionality. The font family includes four weights and each weight has more than 240 characters on its own. Federasyon contains more than 10.000 optical arrangement data for each character to work in harmony with each other. Federasyon supports a total of 22 languages, including Western and some Central European languages.

Tufuli means "childish" in Arabic. In this font design I wanted to represent the characters as funny and flexible, just like childish characters can be. Tufuli has sloping terminal geometric shapes, giving it a playful feeling.

Please also check out Tufuli's sibling Tufuli Arabic for more international fun.

Not of the Alps but from Los Andes. It tastes a lot more like wine than cheese.

Neogrotesk is a versatile and functional workhorse typeface with a neutral look and Latin flavor. The font includes multiple typographic features such as alternates, ligatures, small caps, case-sensitive punctuation, arrows as well as lining, old style and tabular figures.

Neogrotesk is the perfect choice for editorial, corporate and advertising design. This 40-style type comes in 5 weights with matching italics and contains 770 glyphs. The complete set consists of 4 sub-families: Essential, Essential Alt, Pro and Small Caps.

@andinistas presents Rapsodia, an uncommon roman caps font with serif and high contrast, designed by #carlosfabiancg. Rapsodia was inspired by Stunt Roman, Speedball Textbook for Pen & Brush Lettering by Ross F. George. Rapsodia has a high and sweetened amount of contrast between thin and thick with drop-shaped finishes, reminiscent of Didot, Baskerville and Bodoni. Its artistic accent translates into Tuscan letters drawn with a flexible tip pen.

In that order, Rapsodia combines the visual theatricality of an art nouveau corset, with creative historical classics such as Liza Minnelli, Gene Simmons and Freddie Mercury. Its calligraphic curlers full of Mannerist virtuosity are unnatural in Roman caps typefaces with serif. That is why its internal vein in ascending and descending flourishes protrudes with Chicano circus details like triangular diamonds located in vertical strokes.

Rapsodia serves to design words and phrases in fine publications, for this reason most of its upper and lower case letters communicate feelings with classic and luxurious sensation through substitutes, ligatures and alternatives for beginning, middle or end of word, functioning as initials and terminals.

Linoma is a handmade font duo consisting of a sans and a stencil version. Its rough and textured appearance derives from the linocutting technique. Use Linoma Stencil as headline or display font and Linoma Sans when you need text settings in smaller sizes. Linoma is suitable for packaging, books, magazines, products and branding projects. It supports most of Central European and Easter European languages.

Malibu Punch. I am loving this sassy script font! There are two versions: rough, with tons of texture, and smooth! I made it with an itty bitty brush and pretty watercolors. It's got loads of texture - check out those edges! Wobbly, rough watercolor edges! The capital letters work together, so it's like two fonts in one! The lowercase script is so sassy and full of attitude. Great for branding, logos, and quote art.

Galeana is a flat-sided sans serif typeface that features a closed aperture. The font is a reinterpretation of Latin American-flavored typefaces used for European editorial designs such as Plastique and Zembla magazines. This superfamily consists of 4 sub-families: Compressed, Condensed, Standard and Extended.

The heaviest and narrowest variants—created at the early stage of the design process—resemble the slender trunks of the Galenas (African tulip trees). The other variants have an extended width, which evokes the broad crown shape of these trees.

Galeana comes in 48 styles and contains 417 glyphs that support over 200 Latin-based languages. The font performs well for mid-length text and it's the perfect choice for headlines, editorial design, brand identity design, advertising, social media and use on Tv.

Fudge Sauce is a fun font duo from Blue Vinyl Fonts!

Fudge Sauce contains the following opentype goodness:

Contextual Alternates

Let's start with the starting and ending lowercase letters! Sentences with only lowercase typically need some oomph. The starting lowercase letters add impact and balance. Lastly, the lowercase endings finish words off nicely. The lowercase L gets an entry stroke where needed to add balance.

Swashes

Swashes can be turned on and you shouldn't have to worry about collisions. If in a rare situation you get a swash that doesn't play well with others, just highlight it and turn off swash for that character. You can also just drop in swashes manually.

Ligatures

Ligatures will add variation with some common double letter combinations. Turn on Ligatures and swashes and the double lowercase t will come alive!

Alternates

There are alternates that can be manually selected from the glyphs palette. Highlight a letter and check to see if there are any alternates that can be applied.

Stylistic Alternates

With stylistic alternates on, you get a traditional double story uppercase and lowercase Z.

Ornaments

There's a few brushy swoops. These need to be placed manually in a graphics program.

Language support is broad for both fonts and extends to the Central European market. Fudge Sauce contains 784 characters and Fudge Sauce Caps contains 366 characters.

Fudge Sauce Caps is an all caps font that pairs well with Fudge Sauce Script!

Konsteady a new very attractive brushed font with a natural, detailed and perfect texture. Additional Konsteady Underlines. Konsteady is perfect for branding projects, logos, product packaging, posters, invitations, greeting cards, news, blogs, everything including personal charm and more.

Introducing a new font called Bandoong inspired by urban script fonts with sharp and beautiful letters that create fonts that are modern, tendy and elegant. Bandoong comes with OpenType features such as stylistic alternates, stylistic sets & ligatures and is perfect for logotypes, posters, badges, book covers, tshirt design, packaging and more.

Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Ligature • Alternate • Swash

There it is! I really hope you enjoy it - comments & likes are always welcome and accepted. More importantly, don't hesitate to send a message if you have a problem or question.

Rosmitta is a new, modern, fresh and upright script . This font will make your design look elegant, natural and stylish.

Rosmitta is perfect font for any awesome projects such as photography, watermarks, quote design, social media posts, advertisements, logos and branding, invitations, product designs, labels, stationery, wedding designs, product packaging, special events or any project that need handwriting taste.

Kari is a complete redraw and expansion of the award-winning typeface originally released in 2005. Featuring both upright and ‘italic’ styles, this soft and curvy script is perfect for packaging, expressive headlines, and fun settings. Feature-rich and flexible, Kari is stocked full of alternate characters, swashes, titling options, expanded numeral sets, new dingbats, and a lot more… and for the first time, the much-requested ‘Medium’ weight is now available.