Showing posts with label legible. Show all posts
Showing posts with label legible. Show all posts

Download Begum Sans Font Family From Indian Type Foundry

Download Begum Sans Font Family From Indian Type Foundry


Begum Sans is a high-contrast design. Its letterforms feature horizontal strokes that flair outwards and look a bit like wedges; this is particularly prominent in the typeface’s capital letters. The feature has a long tradition in lettering, which even predates typography: similar wedge-shaped horizontal strokes were prominent features on Florentine inscriptional lettering during the Renaissance. Even though Begum Sans is a display face, its use isn’t limited to headlines. The typeface’s proportions offer possibilities for many kinds of shorter-length texts, i.e., call-outs, packaging design and the multi-line article introductions that are common in print and on screen. Pair Begum Sans with its matching display serif face Begum. Both Begum and Begum Sans were designed in India by Manushi Parikh.



Download Begum Sans Font Family From Indian Type Foundry


Download Artartika Font Family From Tour De Force

Download Artartika Font Family From Tour De Force


Artartika contains two Regulars – one Slab and one Sans Serif. Condensed width, geometric shaped, with distinctive stem contrast, Artartika recommends itself for titles, product names, branding, but it's also fully applicable for longer text and paragraph use. Contains Extended Latin character set with Cyrillic support.


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Download Astrup Font Family From Indian Type Foundry

Download Astrup Font Family From Indian Type Foundry


Astrup is a rationalist sans serif typeface. Its letterforms feel like the France of the 1950s; they are very orderly, but also a bit spritely. The letters’ apertures are very small, making the counterforms in typeface feel like they are being completely enclosed within their surrounding characters. The Astrup family has six weights that range from Extralight to Bold. The lowercase letters’ ascenders rise up to the exact height of the tops of the capital letters. Each font has two versions for each numeral; the standard numerals are slightly smaller than that capital letters. The other numerals are substituted into all-caps text by the fonts’ case-sensitive OpenType feature. These alternate numerals are the same size as the capital letters. Astrup’s fonts also have a full range of superior and inferior numerals for the better setting of fractions. Many of Astrup’s capital letters seem very geometric. For example, the ‘G’ does not have a spur at its bottom-right, and the tail of the ‘Q’ is a simple, vertical stroke. The lowercase ‘a’ in the Astrup fonts is double-storey, while the ‘g’ is single-storey. The ‘f’ and ’t’ are very wide. The dots on the ‘i’ and ‘j’ – as well as the fonts’ dot-based punctuation and diacritical marks – are circular. Astrup is an excellent selection for use in branding, or in other kinds of corporate identity design. It may also be put to good use in editorial designs for publications about contemporary lifestyle issues. Astrup is the work of Frode Helland, a type designer from Norway.


Download Astrup Font Family From Indian Type Foundry


Download eSpectrum Font Family From Jonahfonts

Download Boss Font Family From SoftMaker

Download Multi™ Font Family From Type-Ø-Tones

Download Multi™ Font Family From Type-Ø-Tones


Multi is an extensive sans serif typeface family that consists of two subfamilies: Multi Text that comprises three weights (roman & italic) and Multi Display (seven weights, roman & italic).
Vitality bursts forth from Multi. It has a distinctive ‘phrasing’ (in the musical sense), neither humanist nor glyphic, somewhere in between, exploring uncharted territory. Its design is pragmatic, yet not rigid, slightly tinged with tiny incised touches. This is clearly noticeable in Multi Display: the roman lowercase’s asymmetric stems are very softly tapered, with bevelled, sharp upstrokes. Furthermore, all weights consistently share these idiosyncrasies from Thin to Poster. With its lower contrast, wider proportions, shorter ascenders and descenders, Multi Text was purposely adjusted to meet all the requirements of a legible typeface for newspapers in paper and screen, as they were manually hinted. It also has a few new features, such as the outstrokes of the roman ‘l’ and the italic ‘a’, which bring a subtle calligraphic feel to the text flow.



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Download Author Font Family From Indian Type Foundry

Download Author Font Family From Indian Type Foundry


Author is a family of humanist sans serif fonts. They are optimized for use in modern publications – hence the the name ‘Author.’ Its letterforms are slightly expanded, which gives the counter-forms inside of them enough space to breathe, thus increasing their legibility and helps with their on-screen rendering, too. Author’s family includes six weights, ranging from Extralight through Bold. Each weight has an upright and an italic font on offer. The uppercase letters are virtually mono-linear in appearance; however, several of the lowercase letters have visible stroke contrast. The tops of Author’s strokes terminate in diagonal cuts; these are reminiscent of the broad-pen that would be used to write the humanist letterforms the typeface is based on. In Author’s upright fonts, the lowercase ‘a’ and ‘g’ are double-storied; there is a single-storey ‘g’ in the fonts as an OpenType alternate. In the italic fonts, the ‘a’ and the ‘g’ are both single-storied. The ascenders of Author’s lowercase letters a slightly taller than the tops of the capitals. The family’s fonts include both lining and old-style figures; in both versions, the ‘3’ has a flat top. Author was designed by Satya Rajpurohit, the founder of Indian Type Foundry.



Download Author Font Family From Indian Type Foundry


Download Victorian Orchid™ Font Family From Dharma Type

Download Victorian Orchid™ Font Family From Dharma Type


Victorian Orchid is a gorgeous vintage flower.

Victorian Orchid is a beautiful, organic serif font family available for both text and display.
Its bizarre serifs for A and other diagonal letterforms came from decorative types and letterings in old Victorian era.
These unusual serifs support and enhance the horizontal flow of the eyes and vertical alignments.
Very eye-catching lowercase g also came from the Victorian era and this is one of the most dramatic letterform of this font.
Lowercase such like n and d also have horizontal serifs which designed in the same theory.



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Download Vidal Font Family From Blackmoon Foundry

Download Vidal Font Family From Blackmoon Foundry


The Vidal is a display typeface designed in 2016 by Elena Albertoni. It comes in three styles: Regular, Bold and Black. This wide sans-serif with low contrast is inspired by French and British Art Deco lettering and it is suitable for use in medium to large sizes, where it offers good legibility and all its friskiness. The attitude of Vidal when set in all caps derives from the models that inspired the design: mainly capital-only lettering pieces; the essential addition of lowercase letters distinguishes Vidal from similar revivals and makes it a great modern choice.



Download Vidal Font Family From Blackmoon Foundry


Download Jaymont Font Family From Mans Greback

Download Jaymont Font Family From Mans Greback


aymont is a sharp typeface family drawn and created by Måns Grebäck during 2018.
It is brave and experimental, yet confident.

The family consists of ten high-quality fonts, five different weights and each weight as italic.
The weights are Jaymont Thin, Jaymont Light, Jaymont Medium, Jaymont Bold and Jaymont Black, each with an equally strong character.

The fonts support all European Latin-based languages, and contain ligatures and a wide range of useful symbols.



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Download Aure Nox Font Family From Aure Font Design

Download Aure Nox Font Family From Aure Font Design


Aure Nox inspires the chill whimsy of a haunted forest. The roughhewn forms of this decorative, sans-serif font engage the reader with a subtext of rakish charm. Surprisingly legible, Nox adds a bit of rebelious sass to text and titles, and a daring stance to astrological expressions and chartwheels.

Nox is an original design developed by Aurora Isaac. After more than a decade in development, 2018 marks the first release of the CJ and KB glyphsets in regular, italic, bold, and bold-italic.



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Download Mainland Font Family From Mans Greback

Download Mainland Font Family From Mans Greback


Mainland is a high-quality sans-serif typeface, drawn by Måns Grebäck.

The typeface family comes in five weights, from Thin to Black.
In addition to that there are Italics, totaling 10 styles.

Extensive language support makes the font possible to use for any European Latin based language.



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Download New York Line Font Family From Kustomtype

Download New York Line Font Family From Kustomtype


When you go traveling you always fall in love with something… At this time, it is the inscription of Holland America Line which is sparkling on ‘New York Hotel’, Rotterdam-Holland.
Based on the letters I had at my disposal from the Holland America Line inscription at ‘Hotel New York,’ I started to complete the alphabet in the same style as the original text. Eventually, I digitized everything in order to acquire a usable and modern font to be able to use it for all graphic purposes.
The font is ideal for head text, posters, logos, editorial, branding, signage, web applications, modern design, etc... Don't hesitate to use this unique historical font! It will give your work that glamour that you will find in this extraordinary font. Enjoy the New York Line.
The Holland America Line was founded in 1873 as the Dutch-America Steamship, a shipping, and passenger line. Because it was headquartered in Rotterdam and provided service to the Americas, it became known as Holland America Line (HAL).
From 1901 the iconic building on the Kop van Zuid shines. It previously housed the Holland America Line; now it houses the hotel-restaurant, Hotel New York. A building with a great history. Hotel New York has a beautiful history. Built in 1901, many ships sailing away and opened in 1993 as a hotel and restaurant.
The New York Line Font comes with uppercase, lowercase, numerals, punctuations so you can use it to customize all your designs. Perfect for Logos, Letterhead, Poster, Apparel Design, Package design, Label design etc. The New York Line Font is designed by Coert De Decker in 2018 and published by Kustomtype Font Foundry.
Enjoy your journey with the New york Line!



Download New York Line Font Family From Kustomtype


Download Ballinger Mono™ Font Family From Signal

Download Ballinger Mono™ Font Family From Signal


The addition of a monospaced version returns the Ballinger family to (some of) its roots: a 70s-era typewriter face called Candia, which Josef Müller-Brockmann designed for Olivetti. Ballinger Mono is designed on the same principles as its sister face: plain, sturdy forms with large counters, open apertures, deep junctures, and a generous x-height. It matches Ballinger’s eight weights, which makes it unusually versatile for a fixed-width face, and has been carefully rebalanced for ease of reading, like the classic jobbing sanses that inspired it. Oldstyle, inferior, and superior figures are available, as well as old-fashioned nut fractions.



Download Ballinger Mono™ Font Family From Signal


Download Ballinger™ Font Family From Signal

Download Ballinger™ Font Family From Signal


Ballinger began life as a single-weight proprietary typeface called baasic, designed for Dublin-based design office aad. baasic was intended as a plain, hardworking grotesque: a simple tool for clear communication. We’ve developed it into a fully-featured eight-weight family with matching italics. Sources include early 20th century jobbing sanses like Morris Benton’s News Gothic and Candia, a 70s-era typewriter face Josef Müller-Brockmann designed for Olivetti, which had unusually deep junctures that added energy to letters like m and n.



Download Ballinger™ Font Family From Signal