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Rodfat is a gorgeous, old-timey display font with a modern feel!
Inspired by the industrial revolution, It will bring back the early days of the 20th century.
This collection comes in two styles: One and Two. It is possible to be paired perfectly when used together.
Perfectly suited for any display use. It could easily work for design product names, posters, signage, packages, logos, labels, and eye-pleasing typographic designs and more.
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Fraktur No2 is a blackletter typefont published by SoftMaker.
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Thank you for waiting. Finally, Beas Neue has got lowercases!
Beas Neue is a world wide, the most popular font family with all caps released in 2010. Bebas Neue has been used from by big companies to by startup designers for many projects.
In spite of the fact that Bebas Neue has only Uppercases, it became very popular font for these 10 years.
At the same time, we received many requests for adding lowercases.
To be honest, we had been developing whole new Beas Neue with lowercases secretly for long time.
Thinner Uppercase from thin to regular weights were redesigned for Pro.
New lowercases were designed to match the Uppercases very carefully.
You can access Tabular figures by using OpenType tnum features.
Almost all European languages are supported by Pro.
One more big thing is... Bebas Neue Pro has Italics!
Please don't use sloped Beas Neue. Pro has proper Italics!
Bebas Neue “Pro” can extend your possibilities.
Be the first to use this professional and premium Bebas Neue!
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Cattle Call JNL is reminiscent of Old West posters and broadsides. The design is based on an extra condensed antique wood type and is available in both regular and oblique versions.
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Galderglynn 1884 is a nineteenth-century style sans-serif typeface. This is a refined expansion of another typeface called Galderglynn Esquire. Galderglynn Esquire was an intentionally rustic looking typeface based on a mixture or several pre-twentieth century grotesques employing deliberately unrefined weight and spacing. Galderglynn 1884 has at its base that same pastoral design but polished into a practical workhorse font family. The condensed fonts are slightly squared off with careful effort employed to keep the style squarely in the nineteenth-century—more like a typical condensed newspaper headline type than a twentieth-century superellipitcal like Eurostile or Univers. The extra-condensed “squeeze” fonts are completely flat-sided, not unlike old wooden poster types or extremely tight metal newspaper headline fonts.
If your application supports OpenType features, you can access tabular and lowercase (old-style) numerals. A Cyrillic alphabet is included as well as accents for common Latin languages. There are three special effect fonts available: all-capitals shadow and engraved regular and condensed styles.
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Font breeding is much like animal breeding, where stallion and mare, or bull and cow, or boar and sow are carefully matched in hopes of yielding a robust and useful offspring. When typefaces Roundup with fat, rounded serifs and WyomingSpaghetti with fat, squarish serifs were chosen to be parents, it was clear that their offspring would inherit large serifs. But to discover exactly what the offspring would look like, the pairing needed to be consummated, which was done with the “Blend Fonts” commend in Fontographer. The two styles of RoundWhy are the result.
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Ithaka is a display monospace handwriting font. The typeface is a distinct hand drawn font using a fountain pen quill ink style. The Ithaka name is derived from the legendary home of the hero Odysseus in Homer’s epic poem, The Odyssey (Ancient Greek: Ἰθάκα). Ithaka is great for display work, invitations, writing, books, posters, logos and headings.
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Whittington is a revival of a congenial ‘modern’ typeface of the mid nineteenth century, unassuming and businesslike with an even colour that reads comfortably over long stretches. It is intended primarily for use in running text.
Whittington provides wide support for west, central, and east European languages that use the roman alphabet. Among its OpenType features are ligatures, small caps, several sets of numerals, contextual alternates, intelligent implementation of long ‘s’, and fractions. For more detail, please see the pdf available in the Gallery.
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Roman Ionic is a unique revival of a typeface that was once popular and used in many late 19th century and early 20th century music publishing houses, such as Durand et fils. It displays a happy marriage between the beautiful features of the Clarendon type and the legibility of the Scotch roman class and is thus aimed to work for titling and body text.
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From the incredible well of creativity that is Maybelle Imasa-Stukuls we bring you Specimen V. A quirky serif family paired with natural history inspired illustrations.
OBSERVATIONS
Specimen V is a hand-drawn font, inspired by classic serifs. Created with all the quirks and charm you'd expect from Maybelle Imasa-Stukuls. The sky’s the limit with this nimble font.
DEFINING CHARACTERISTICS
Specimen V comes in a 3 variation family-standard, perfectly imperfect and smooth. Opentype programming and old style numerals. The family includes a set of 13 natural history inspired vector illustrations + hi-res pngs, created by our in-house Rare Bird illustrators.
POTENTIAL SIGHTINGS
You'll catch glimpses of Specimen V on the playground, in that cute new neighborhood boutique, in your local bookseller, and on your most eccentric uncle’s wedding invites. Only the most charming of applications will do.