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Made you look? There’s a peculiar feel to the letters – achieved by the reversed contrast. Perfectly legible yet there’s something about the characters that makes them stand out. As Viktor Shklovsky once coined, ”Habitualization devours objects” – the everyday world becomes invisible until we are forced to see it otherwise.
The Portland font family is a tool of choice when you want to effortlessly make your designs stand out.
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Inspired by the “Lollapalooza” logo.
The intention was to design a cheerful, entertaining typography. Lolapeluza works perfectly for designs for children and young people. 17 variants are also included from Thin to the Black, Symbols and alternatives!
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Eckhardt Relaxed JNL was modeled from an example of a casual, hand lettered alphabet from a page of a vintage textbook.
This style of freehand lettering always lends itself well to posters, show card and sign work, but is equally at home in ad design or titling.
The typeface is an addition to the group of type styles inspired by sign lettering, and is named for Jeff Levine’s good friend, the late Al Eckhardt; whose shop turned out quality hand lettering from 1959 until his passing in 2005.
Eckhardt Relaxed JNL is available in both regular and oblique versions.
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This is the “Starslang Phat” font, which is similar to the original "Starslang" font featuring starring vowels. The evolved font design has a heavier weighted text body and rounded contours. The result is a font that has a warm, natural, and curvy feel; with a fun urban impression.
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Kamber is a playful and approachable, neo-grotesque sans-serif with a handful of humanist flourishes. Subtle convex terminals and a curved structure create it’s friendly personality and bouncy rhythm. If you're looking for a warm typeface that’s affable without straying into cliché, then Kamber is your new best friend – like the labrador of typefaces.
Kamber’s balanced yet quirky nature makes for a fun and interesting display face, without compromising on legibility at smaller sizes. The lowercase letters have an elevated x-height, sitting at around 70% of the cap height – this means running copy remains clear and readable.
Available in 8 weights, each with a corresponding italic, Kamber is a widely functional typeface that can hold it’s own, regardless of the use case. It includes all the usual open type features for further adaptation and variation, including small caps, ligatures, stylistic alternates and more. The primary numerals are lining figures, but tabular figures, old style figures, and a combination of both are also included.
If you're looking for something to stand out from the sea of overly geometric faces and soulless helvetica variants, then Kamber is ready and waiting. Perfect for editorial design, branding or anywhere you use text – Kamber is the typeface that smiles.
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Ruutu is a square but queer font presenting odd faces. Supports multiple tongues.
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This is a new font that I describe as a casual faux antique letterform. Great for many decorative and fun projects.
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Based on sketches I made like 15 years ago on squared paper...this is a true grid (!) font! Great for something that needs that retrogame slash futuristic lazerbeam computer look!
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I was listening to an old Van Halen album when I made this font. I named it after one of my favorites: ‘Ice Cream Man’.
Ice Cream Man is a happy, sloppy, wobbly kids font. Use it for your book covers, posters and ice cream packaging!
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Urbax; Bold expressive script for urban people and urban projects. Fit for Logo, Brand, Titling, Shirt, Hoodie, Products, Signage, Prints and Various Creative Projects. Contain 5 stylistic sets with lot of alternates. Contain basic latin multilanguage support.