Kayla McEncroe

My Story Script is a new modern script font with an irregular baseline. Trendy and feminine style. My Story looks lovely on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and more. Perfect for using in ink or watercolour. Including initial and terminal letters, alternates, ligatures and multiple language support.

To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. There are additional ways to access alternates/swashes, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac).

How to access all alternative characters:

https://www.youtube.com/watch?v=Go9vacoYmBw
https://www.youtube.com/watch?v=XzwjMkbB-wQ
https://www.youtube.com/watch?v=x1A_ilsBsGs
https://www.youtube.com/watch?v=xFlMwARHusY

Thanks so much for looking and please let me know if you have any questions.

Boutique in Heaven is casual brush font with multilingual support. It is ideal for t-shirts, magazines, phone covers, social media, restaurant menus, greeting cards, invitations, weddings, headers and many more. This brush font comes with a complete set of lowercase and uppercase characters, a large range of punctuation ligatures, numerals, lowercase alternates and and multilingual support.

For access to Stylistic Alternates is required software with glyphs panel like Photoshop, lllustrator, Inkscape etc. Ligatures shows up automatically.

Inverserif is a decorative typeface published by SoftMaker

Inspired by the classical “Fell Types”, especially the charmingly quirky weights designed by Peter De Walpergen. WT Fallen is a liberal interpretation of those cuts, meant for the digital age. It’s elegance and sharpness make it a perfect fit for any project that requires impact and subtlety at the same time.

Introducing Pragnea, a modern sans serif font with a unique touch. It had many unique quirks such as its distinctive e , script-inspired Q, curved stroke on R, K, V, W, and many others.

The type family consists of three weights plus matching italics. Packed with 300+ glyphs, it works well both for impactful headlines and for reading sizes.

Introducing the White Pen script, a font that is very fresh and unique style handmade. White Pen script is perfectly suited to logo, signature, stationery, poster, apparel, branding, wedding invitation, card, tagline, layout design, and much more !!.

Straightforward tone resulting in a modernist, Hergon Grotesk is a family of modern sans-serif. This Typeface is characterized by Neo-Grotesque which gives it a strong character, perfectly suited for any visual communication application. The family has 10 fonts ranging from thin to extrabold with matching italics.

Indikator is a family of humanist-style sans serif fonts. There are five weights in the Indicator family; these range from Light through Bold. Each weight has both an upright as well as an italic font on offer. The italic fonts contain slanted, or oblique-style letters. The letters in each of Indikator’s weights appear virtually monolinear, in terms of stoke contrast. Strokes end in either horizontal or vertical cuts, rather than in diagonals. The fonts have a large x-height, and the lowercase letters’ ascenders are taller than the heights of the capital letters. Indikator’s numerals are tabular lining figures; these are just as tall as the fonts’ uppercase. The fonts’ OpenType features include alternate forms for the ‘I’, ‘J’, ‘4’, ‘i’, and ‘l’ – as well as a more Scandinavian version of the ‘Å’. There is also an alternate version of the zero, with a slash running through its counter. Indikator had a lot of character and verve than many other humanist sans serif families. It feels a little ‘old-timey,’ like it is channeling design ideas from the first half of the twentieth century, rather today’s Silicon-Valley-style designs. Indikator is an excellent selection for use in corporate communication or editorial design work. It will surely also come to good use in publications about contemporary culture and lifestyle issues. Indikator is the work of Frode Helland, a type designer from Norway.

Hand crafted in Spain amongst the orange trees, Pulp Display represents the best of modern circular aesthetic with an air of friendliness. Wholesome, full and juicy, it’s everything you want out of a display font. It looks amazing at large sizes and, also, small sizes.

Pulp has 36 punctuation marks, 57 uppercase letters, 60 lowercase letters, 17 symbols and a full number set. It supports 17 languages; Basque, Catalan, Danish, Dutch, English, Estonian, Finnish, French, Frisian, Galician, German, Irish, Italian, Norwegian, Portuguese, Spanish and Swedish.

The difference between each weight is intentionally more subtle, for maximum impact at larger sizes. Pulp is best displayed with large text and is suitable for branding, magazines, products and anything else you can imagine. Pulp weights are sold separately and together.

Hand crafted in Amsterdam amongst the winter canals, Maniac Display represents the best of modern serif aesthetic with a big feeling of movement. Sharp, full and quirky, it’s everything you want out of a display font. It looks amazing at large sizes and, also, small sizes.

Maniac has 36 punctuation marks, 57 uppercase letters, 60 lowercase letters, 17 symbols and a full number set. It supports 17 languages; Basque, Catalan, Danish, Dutch, English, Estonian, Finnish, French, Frisian, Galician, German, Irish, Italian, Norwegian, Portuguese, Spanish and Swedish.

The difference between each weight is intentionally more subtle, for maximum impact at larger sizes. Maniac is best displayed with large text and is suitable for branding, magazines, products and anything else you can imagine. Maniac weights are sold separately and together.

Kamber is a playful and approachable, neo-grotesque sans-serif with a handful of humanist flourishes. Subtle convex terminals and a curved structure create it’s friendly personality and bouncy rhythm. If you're looking for a warm typeface that’s affable without straying into cliché, then Kamber is your new best friend – like the labrador of typefaces.

Kamber’s balanced yet quirky nature makes for a fun and interesting display face, without compromising on legibility at smaller sizes. The lowercase letters have an elevated x-height, sitting at around 70% of the cap height – this means running copy remains clear and readable.

Available in 8 weights, each with a corresponding italic, Kamber is a widely functional typeface that can hold it’s own, regardless of the use case. It includes all the usual open type features for further adaptation and variation, including small caps, ligatures, stylistic alternates and more. The primary numerals are lining figures, but tabular figures, old style figures, and a combination of both are also included.

If you're looking for something to stand out from the sea of overly geometric faces and soulless helvetica variants, then Kamber is ready and waiting. Perfect for editorial design, branding or anywhere you use text – Kamber is the typeface that smiles.

DM PopCap was created as a typeface to accompany a 2013 LEGO project, which itself was inspired by the music video for Scream by Michael and Janet Jackson.

I had to create the typeface in order to make my own title cards. Although the resulting font looks similar to the text that appears in the music video, I also set myself the challenge of creating the remaining characters of the alphabet, as well as others that some would find useful.

As suggested, the typeface would be idea in a futuristic or technological setting, particularly concerning space travel.

For the LEGO project, I had paired this typeface with Myriad Pro. As with my other offerings, this font is intended for use as a heading or standalone title - but it also appears to work on its own for small paragraphs of text.

Ocean font offers you unique experiences for your designs. It reflects the essence of your designs thanks to its distinctive writing lines and original style. You can use Ocean font character in every field, and you can use it in magazine and catalog cover designs, poster designs.

Epicentrum is a universal sans serif with a minimal style of strokes, a closed aperture and geometric shapes. It comes with four rounded styles which are perfect for large arrays of texts. The individually developed design of each glyph makes it possible to use it successfully as a display font. All weights can be combined perfectly which gives you the opportunity to create endless unique designs with just this one download.

Whittington is a revival of a congenial ‘modern’ typeface of the mid nineteenth century, unassuming and businesslike with an even colour that reads comfortably over long stretches. It is intended primarily for use in running text.
Whittington provides wide support for west, central, and east European languages that use the roman alphabet. Among its OpenType features are ligatures, small caps, several sets of numerals, contextual alternates, intelligent implementation of long ‘s’, and fractions. For more detail, please see the pdf available in the Gallery.

Mezalia is a one of a kind typeface. Its shapes were strongly influenced by bastarda scripts of high medieval times. Unlike most fonts sharing similar origin, Mezalia is not just another blackletter but a fully functional text typeface, blending medieval poise and character with modern sensibilities. Stroke widths, imitating a broad nibbed pen of a scribe, fluctuate constantly giving paragraphs a characteristic vibrating texture. Despite it’s strong character Mezalia is very legible and will be an excellent choice for a book or an elegant magazine.

Mezalia has two distinct styles: straight and cursive (true italic if you will, although the word is not really correct here), which come in seven weights, from thin to black. Each weight contains a set of old-style figures, lining figures, small caps and ligatures. A separate style containing drop-cap initials is also available.

Descent is a unique, graffiti style, layered type system consisting of a base fill style & an outline style. Based on a signature category of wildstyles by Graffiti Fonts® lead designer Raseone, this family was designed to be rotated 90 degrees clockwise so that the text reads in a downward direction. OpenType scripting enables up to 12 unique variants of any word using alternating patterns of interlocking glyphs.

Gothink is a modern styled typeface. It has 10 weights with four styles. This also include some retro typed, old aged , shadow, outline as well. This style typeface is perfect for your new project.