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A handmade and slightly worn sans. Although it may look like it was made in Photo Shop, I can tell you that it was not! Ahem ... Okay ... I added some digital roughness to the font - but I kept it in the handmade “spirit” :)
Comes with ligature substitution for double letters and has multilingual support!
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Brush font with rugged details. Works well in both UPPER- and lowercase. Multilingual and ligature support for most common double letters
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A slightly rugged and chunky seriffed font. Mouthwatering effect when used in both lower- and uppercase! Multilingual support to satisfy all your language needs!
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Kids Rock is comic with a twist of graffiti. Comes with ligatures for double letter substitution as well as multilingual support
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STROM is а modern sans serif font with minimalistic and geometric characters. The rounded corners give the typeface a friendly look, yet it retains a professional quality.
The attention to detail paid during its development means that this typeface offers a vast range of design possibilities – and helps users create eye-catching designs. The different font styles are built on the same foundation, so they can be mixed and matched while maintaining a harmonious look.
The simple, clean lines make it noticeable and ideally suited in display settings, advertising, packaging, logo, branding, poster, billboards, film, television, web, screen and print design.
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Jano Sans™ Std is a neo humanist sans serif that was initially created to be used as a text and display typeface in brand communication. The result is a type family with a relatable character and a collaborative profile. Designed with elegant forms, low contrast and a geometric feel, Jano Sans™ Std is a highly legible typeface suited for any text application and typographic reproduction.
The techie personality and simple outlines makes Jano Sans™ Std an excellent choice for a wide range of applications, such as branding, editorial, web and broadcast.
Jano Sans™ Std is a simplified version of Jano Sans™ Pro for users who require a font with fewer features and a reduced language support. It has 18 styles and it covers 145+ languages, supporting Latin based languages that includes all Western, Central-European and Eastern-European languages. If you need to use Cyrillic and Greek writing systems as well as a huge set of Opentype features, please check out Jano Sans™ Pro.
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Jano Sans™ Pro is a neo humanist sans serif that was initially created to be used as a text and display typeface in brand communication. The result is a type family with a relatable character and a collaborative profile. Designed with elegant forms, low contrast and a geometric feel, Jano Sans™ Pro is a highly legible typeface suited for any text application and typographic reproduction.
Jano Sans™ Pro has 18 styles and its a workhorse type system. It covers 290+ languages, including Extended Latin, Cyrillic and Greek writing systems. With over 1800 glyphs per style, its Opentype features include alternative shapes, small caps, standard and discretionary ligatures, localized forms in Latin and Cyrillic, case sensitive forms, numerators and denominators, proportional and tabular figures, slashed zero, fractions and more.
The techie personality and the huge set of features and glyphs makes Jano Sans™ Pro an excellent choice for a wide range of applications, such as branding, editorial, web and broadcast.
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Elaina Family
Elaina Script is a tidy, precisely penned script face — perhaps closest of all of Laura’s faces to her own handwriting. In its standard form, with its sober x-height and restrained ascenders and descenders, it’s a pleasure to read at smaller display sizes and in short blocks of text. It is accompanied by an unconnected version of the lowercase characters, its stylistic alternates, and a companion font, Elaina Semi Serif, useful for body text and complementary contexts. Of course, like most of Laura’s typefaces, it includes hundreds of swashes, alternates, and ligatures, for attention-getting effects at large sizes and in brand identities.
Elaina Script
Elaina Script is a tidy, precisely penned script face — perhaps closest of all of Laura’s faces to her own handwriting. In its standard form, with its sober x-height and restrained ascenders and descenders, it’s a pleasure to read at smaller display sizes and in short blocks of text. It is accompanied by an unconnected version of the lowercase characters. Of course, like most of Laura’s typefaces, it includes hundreds of swashes, alternates, and ligatures, for attention-getting effects at large sizes and in brand identities.
Elaina Semi-Serif
Elaina Semi Serif was designed to complement Elaina Script. Both faces share calligraphic roots and typographic and allow them to mix harmoniously. Its modulated strokes and subtly flared terminals give it a humanist feel that adds warmth and positivity to any setting.
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A playful font that works well with themes such as party invitations, comics or something to do with candy or toys. 3 different versions are available: Regular, Inline and Thin. And all 3 versions has ligatures for double lettering that with jumpy alternates. Play around with both ligatures and the different versions to get a look that suits you the best.
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Crayon meets serif!
A steady and legible handmade font with ligatures for double letter substitution. Of course the font is stuffed with international letters!
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Croog Pro is an upgraded version of Croog fonts (2009). As its predecessor, the new release is a rounded geometric monoline typeface, but built now in four weights with true italics. One more style has been added - “Black”, for display use. Squarish in proportions, monoline letterforms gain more readability by having short rounded serifs and terminals. The typeface is ideal for use in display sizes, though is quite legible in text.
Croog Pro is released as OpenType fonts with extended glyph amounts, which enabled support of more Latin languages as well as Cyrillic languages, and includes some OpenType features.
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I have wanted to do a font like this for a long time. The other day when I stumbled upon some old drawings from my daughter, I noticed her name written with letters slightly like the ones found in Regular Fashion. That convinced me that this was the time to do this kind of font!
Enjoy the 3 different versions: Regular, Single and Shadow and play around for nice effects!
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3 fonts in one!
Muskelbundt is masculine and heavy and feminine and light at the same time. Multilingual support and influences from both comic and graffiti can be found here and there!
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Party Jam was originally drawn by hand, and then digitally cleaned up. However, in this proces I was very much aware to keep the “randomness” from the original.
In the proces of making this font, I always had a use for children’s books or comics in mind, but I would think that the font would go very well with eco stuff, packaging and restaurant menus. Don't be afraid to use it at very small sizes, because it is super legible. Don't even be afraid to use it at larger sizes either, because it just look darn good! :)
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A friendly reminder is something we all should be aware about.
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A crazy crayon font with sweet attitude - multilingual and fresh!
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Simple, legible and yet quite funky!
Every letter has 5 different versions, which automatically cycles as you type!
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Litmus is the newest typeface from ITF founder Satya Rajpurohit. It is a slightly condensed humanist sans serif design, with a tall x-height and strokes that end with either horizontal or vertical terminals, instead of diagonals. Ascenders rise noticeable above the tops of capital letters, while the fonts’ numerals are slightly shorter than the caps. Litmus’s interior counterforms are rather open. There are five weights on offer: the Light is monolinear, but the stroke-contrast grows with every weight. The amount of contrast in the Bold is quite high. Each Litmus font makes use of a double-storey ‘a’ and single-storey ‘g’. The fonts may be put to excellent use for text on websites, or in print – especially in documents where a little space-saving is necessary.
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Eurocine is an expansive display typeface – a square sans serif that’s perfect for titling, headlines, logotype and branding. This 36-font family is packed with features to make it supremely versatile.
This typeface attempts to capture the mood of movie credits from European Cinema in the 1970s, with a focus on Giallo films in particular. In terms of style, Eurocine sits somewhere between Walter Baum and Konrad Friedrich Bauer’s Folio, and Aldo Novarese’s Eurostile. With Eurocine you get a more versatile typeface by way of its small caps and additional stylistic sets giving you extended caps, extended small caps, and petite caps, as well as upper and lowercase unicase. Creating typographic masterpieces of your own will be so much easier!
Key features:
• 6 Weights in Roman and Oblique
• 3 Widths – Narrow, Regular, Wide
• Extended Caps
• Small Caps
• Extended Small Caps
• Petite Caps
• Unicase
• Old Style Figures
• European Language Support (Latin)
• 1,200 glyphs per font.